“A Good Man Is Hard to Find”
is one of O’Connor’s most frequently anthologized short stories, and it
makes an excellent illustration of her ability to combine grotesque
humor with serious thematic material.
The story opens as a family prepares to go on vacation in Florida. The
story focuses immediately on the grandmother, who wants to visit
relatives in east Tennessee and who uses the escape of the Misfit, a
murderer, from prison to try to persuade her son, Bailey, to change his
mind. He refuses. The two grandchildren, John Wesley and June Star, are
quickly characterized as smart alecks who nevertheless understand their
grandmother and her motives very well. When the family sets out, the
grandmother is resigned to making the best of things. She is first to
get into the car and has even, secretly, brought along her cat. As she
rides along, her conversation is conventional, self-centered, and
shallow.
When the family stops for lunch at a barbeque stand, their
conversation again turns to the Misfit, and the adults agree that people
are simply not as nice as they used to be. Later, back in the car, the
grandmother persuades Bailey to take a road which she imagines (wrongly,
as it turns out) will lead by an old mansion. Suddenly the cat escapes
its basket and jumps on Bailey’s neck, and the car runs into the ditch.
As the family assesses its injuries, a man who is obviously the Misfit
drives up with his armed henchmen. The grandmother immediately feels
that she recognizes him as someone she has known all of her life, and
she tells him that she knows who he is.
Methodically, the henchmen lead first Bailey and then the mother and
children off to be shot in the woods while the Misfit begins to talk
about himself and his life of crime. He blames his career on Jesus, who,
he says, threw everything “off balance” by raising the dead. Because
the Misfit cannot be sure that the miracle really occurred, he cannot
know how to think about it. If Jesus really raised the dead, the Misfit
says, the only logical response would be to drop everything and follow
him. If he did not, then life is meaningless and only crime makes sense:
“No pleasure but in meanness.”
The grandmother is terrified; she knows that she, too, will be shot.
Yet she knows something more, and suddenly she stops her empty prayers
and meaningless assertions that the Misfit is a “good man,” to utter
perhaps the truest words of her life in telling him that he is one of
her own children. At that, the Misfit shoots her, but he says that she
would have been a good woman if someone had been there to shoot her
every minute of her life. O’Connor intends the reader to take the
Misfit’s comments seriously (he is the most serious-minded character in
the story, after all) and notice that the grandmother, in her moment of
receiving grace, has recognized that she and the Misfit (and presumably
all the rest of humanity) are related as children of God. She is left in
death smiling up at God’s sky.
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